Tag Archives: Artscape

The Flying Dutchman

4 Feb

When I was younger, I had to do a project about myself and list my likes and dislikes. Under dislikes, amongst vegetables and bullies, I also listed opera music. Why this should be I don’t know – at the age of 11, the closest I had come to hearing opera music was probably  Les Mis (definitely not opera!). Luckily I went to see Rossini’s La Scala di Seta in 2009 and had my mind changed – it was delightful and funny and I really did enjoy the music.

I found myself at the Artscape Opera House on Saturday to see The Flying Dutchman by Wagner (yes, the one Hitler liked!). My first mistake was to wear jeans – apparently the patrons of the Cape Town Wagner Soceity do still dress for the opera and I was trying not to stand near the man in the white tuxedo and the woman in the fur coat! Fortunately there was a range of dress between the tuxedo and jeans, but I still felt rather out of place.

The overture was beautiful. There is something inspiring about hearing a live orchestra and I’m told the conductor, Kamal Khan, really knows his stuff. It set the mood of turbulent storms and tempestuous love to come (if you think I’m being melodramatic – you ain’t seen nothing yet!) As the curtain lifted, we were treated to visual effects of rippling sea water projected on to a screen to give us on the feeling of being at sea.

This is director Lara Bye’s third opera project. She certainly took the opera out of the 19th century with her use of interesting lighting, costume and set design – all by very talented theatre makers. As the opera is in German, subtitles were provided along with other multi-media effects throughout the show. Jon Keevy and Sanjin Muftic, of Yawazzi, certainly showed their talents for thinking outside the box. Who would every think that opera could be combined so successfully with modern technology?

The first act was clearly not for me. While the visual effects were stunning, the story was far too overboard and the Dutchman’s long solos consisted mostly of eternal damnation, suffering and hopelessness (really, he was rather self-indulgent!).

But then came the second act and Nkosazana Dimande. Wow. She sang the role of Senta and blew me away. She is currently studying in Sweden and her talent is obvious. If there was a danger of me falling asleep (I wouldn’t admit it if I did!) it was never while she was on stage. Matthew Overmeyer created real stage presence as the tossed aside lover, Erik, and his melodramatic attempts to win Senta were highly entertaining.

The liberetto by Wagner was by no means my favourite – his lyrics and melodies were too heavy for me, but The Flying Dutchman did receive a standing ovation from those far more knowledgeable than me. I would far rather see another Rossini operetta again as I will definitely be striking opera off my dislikes list and try to support Cape Town operas more in the future.

 

Unfortunately The Flying Dutchman was only performed for two nights, but upcoming operas in Cape Town include Bizet’s Carmen (I will be seeing this!) and Schicchi’s Suor Angelica, both at the Artscape.